Tuesday, January 6, 2015

My Year in Movies, Part III

After a long month of lollygagging, here's some more great movies I saw in 2014:


                                                                        The Craft

A newly formed coven of witches decide to use their witchly powers for dastardly witchly deeds. This is a whole lot of fun, especially Fairuza Balk as the demented harpy leading the central quartet. I really hope that someone gets her cast in a solid comeback role soon.


Knightriders

The usual reason George Romero films succeed is because they’re smart. Not intelligent necessarily, but smart. They know what they have to do and they do it very well. Not so Knightriders which is a sprawling, ambitious, strange gem in the wilderness. Anchored by a wondrous performance by Ed Harris the movie tiptoes the line between idealistic Arthurian legend and quotidian motorderby earthiness. Nobody talks about this one but they really, really should.


Captain Blood

Errol Flynn was one charming motherfucker and while The Adventures of Robin Hood is the better movie, this is the better Flynn. It’s got a musculature missing from the more polished movie – a pleasant rawness that sells both the action and the sexuality. Also, pirates!


The Black Pirate

More pirates! This time with the inimitable Douglas Fairbanks, Sr.


Black Sunday

I love Bava. I really do. Blood and Black Lace is one of the most gorgeous horror movies ever brought to the screen. But one rarely turns to Bava for story or character or any of that nonsense. Well, not unless he’s got Barbara Steele to do the heavy lifting. And as much as I will fawn on Bava for the deep, musty, ecstatically Gothic look of the film, let’s also take some time to celebrate one of the greatest horror actors of all time. Just look at that face!


Blue


Naked Lunch

David Cronenberg’s Naked Lunch is probably not for everyone. It’s stiff and mannered and odd for the sake of oddness. It is the most “literary” of literary adaptations. But God do I adore this weird amalgamation of the book, Cronenberg and the life of William S. Burroughs. It’s a bizarre mutant creature that would not survive in the sun but it croons lovingly to the moon at night.


                                                                         Visitor Q

Takashi Miike’s brain is composed of equal parts genius and heinous depravity. In Visitor Q it tilts dangerously close to the latter. It’s Teorema on coke. Lots of coke. A vile, sadistic, enrapturing masterpiece. A discovery, undoubtedly, but not for the faint of heart.


Malcolm X

Can we all agree that this is the greatest biopic of all time? While other biopics latch on to the events of a person’s life, Malcolm X focuses on the person himself and manages to create one of the most believable portraits of a human being ever captured on film. Denzel Washington is phenomenal and Spike Lee has rarely been better and I consider that a very big compliment.


Viola

It’s a 65 minute movie and I don’t get the second half at all. But that first half made me as giddy and hopped up on romance and theater and their various sinuous entanglements as anything I’ve ever seen.


Next time on CINEC-DOW-KEY: Birdman, Mike Leigh biopic, Sex on the Beach and much more!